rien
story
Submitted by rien on Wed.04.15.09 8:58pm
i was just sitting outside. i have a minivan, ya know? I had the back open and the interior lights on. this is the darkest time of the night, before the moon rises. so the stars are all out and my erin is on the phone talking relentlessly on about all of the things that people do and say to her and about all of the things that will happen eventually. i don't think this way tonight so naturally my mind wanders. a real fucking spread of stars this time around. the gods must be warm and naked and swimming. whatever that means. it's warm; 45 degrees or so, and the horizon catches my eyes intense and shocking. i thought the horizon was on fire. albany glows there some thirty miles away just past the last foothill ridges of the taconic mountains and by fault of disclarity, i process this vision of shimmering oranges and reds as a single massive burning ball raging up off the hill and into the sky toward the stars and the gods that inhabit them. a peaceful fire though, because the sky is high tide heavy waters drifting tonight. the gods are swimming, if you remember. and in the foreground, a line of trees. old oaks maybe. and erin still talks on eventuality.
so i was smoking a cigarette and drinking port and thinking about the world i've grown up in and its many manners of things that are only partially tangible. this digital world. this internet. this unexcited music scene. things that teeter on the fringe of what is real and what is imaginary. this is why i love film. every time i hear the shutter click, i can feel the karma racing, like with gravity, toward the center and the matter of the static creation. it's why i isolate myself and socialize simultaneously, i suppose. to keep an eye on the border as it moves.
and it is why i travel among great cities and great landscapes in meager ways. by bus, by train, by car. to rub up against the fibers of this world. i've heard from elder and wiser sources that few people live this way and I've found from direct experience that fewer care to now. I'm unconcerned with the sciences of politics. I live with intention but i do not live politically. I don't care about what you want, i care about you. I don't want what you have, and I don't care what they have. I have it all. Everything that happens in the universe is happening right here, right now. I don't need to manufacture anything, i only need to create ways to see it happening. that's all i need to do. Then put a picture up on a wall and let us all stand at it in awe, saying "look at that!" we all know it was there all the time. we all are guilty of nothing if we look now and are grateful angry sad happy peaceful quiet compassionate disturbed and, you know, whatever. no judgement; only vision and reaction. no poverty and no rebel factions. no need for it. of course, who am i to say something like that?
Then the service cuts out and the phone beeps and it's quiet again. not even crickets tonight. just stars like the glowing toenails of celestial swimmers. When I call Erin back, we end the conversation and I stare at the "all-american city" as it appears on the horizon to be burning. and in relative terms it may be. but it is with peace that i turn my back and head toward the front door.
so i was smoking a cigarette and drinking port and thinking about the world i've grown up in and its many manners of things that are only partially tangible. this digital world. this internet. this unexcited music scene. things that teeter on the fringe of what is real and what is imaginary. this is why i love film. every time i hear the shutter click, i can feel the karma racing, like with gravity, toward the center and the matter of the static creation. it's why i isolate myself and socialize simultaneously, i suppose. to keep an eye on the border as it moves.
and it is why i travel among great cities and great landscapes in meager ways. by bus, by train, by car. to rub up against the fibers of this world. i've heard from elder and wiser sources that few people live this way and I've found from direct experience that fewer care to now. I'm unconcerned with the sciences of politics. I live with intention but i do not live politically. I don't care about what you want, i care about you. I don't want what you have, and I don't care what they have. I have it all. Everything that happens in the universe is happening right here, right now. I don't need to manufacture anything, i only need to create ways to see it happening. that's all i need to do. Then put a picture up on a wall and let us all stand at it in awe, saying "look at that!" we all know it was there all the time. we all are guilty of nothing if we look now and are grateful angry sad happy peaceful quiet compassionate disturbed and, you know, whatever. no judgement; only vision and reaction. no poverty and no rebel factions. no need for it. of course, who am i to say something like that?
Then the service cuts out and the phone beeps and it's quiet again. not even crickets tonight. just stars like the glowing toenails of celestial swimmers. When I call Erin back, we end the conversation and I stare at the "all-american city" as it appears on the horizon to be burning. and in relative terms it may be. but it is with peace that i turn my back and head toward the front door.
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the truth is
Submitted by rien on Wed.04.15.09 8:25pm

It's easy for me now, in the distortion of memory,
to imagine that
the rambling wild corners in the side yard of
our dirty past apartment keep
the secret of eventuality.
eventuality is the stone that marks the mass grave,
foreseen;
the shatter-splatter scene of an obscene crash
where we finally meet the wall at which
we careen;
where our weak gesture of defiance against infinity
leaves red flesh pieces that drip and sink in
sulking and final failure.
the smell of the soil that drank the flesh right off our bones.
the bones the soil buries.
the soil that they marry.
the sick and visceral cycle that carries up from the down rain
whatever of us can never die and
we grow again.
we grow alone in the sun.
our lives begun as the ivy and the roses that lean over and
bow under the heaviness
as they fatten on the moss
that covers the stone of
eventuality.
life let us live and helped us out to die
but never taught us anything if you think about it
really
i miss cleaning our apartment and your excited appreciation.
i miss being connected to you by the filthy joy of
our stubborn reality.
eventually I will love you in such a way that does not
bind me to your memory.
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sunrise ladylike [and on my own]
Submitted by rien on Tue.02.24.09 7:51pm
I
after leaving my arms this morning and
burning the sky blue,
you render horizons merely
something to fly between
when you are here
[when you are home]
so that we might
make sense of you.
you settle orange tropicana florida like
an age-burnt photograph of a tangerine
being pressed between
two classic leather-backs
of the Western Canon;
soothing fruit juices mingling among the
heartburn of dream dust that
settles down from the peaks of the ages;
citric fiction.
you are pressed up against
my dirty windshield at dawn
before you move on.
the center console is cluttered like
sunday service church pews with
blue cigarette packs, empty, and
the black rot of bananas and
the grease of grazing fingers on the steering wheel and
the local station talk show and
i am empty at the passenger seat for
all the failed attempts at phone calls.
i think that i am lonely.
i find a full pack of cigarettes,
blue and black now as
i appear to be against
the violence of your memory and
the brightness of your inevitability.
II
i think of your frigid winter absences.
a straight shot stand of trees
whose wet whale-skin grey and green
against the snow
is frozen at attention;
naked and unfooled by
the night's elegant reflections
of you.
except one tree whose trunks
lean East defiantly,
with long-fingered silhouettes
in intimate ups and downs with the breezes,
whispering,
"gravity!"
[in orbit, i am a product of your inevitability.]
and imagine the human spirit
was a galaxy!
[but home has always been most heavy.]
in spirals and pulls like
backward smoke.
[my tired limbs move ceaselessly.]
III
i am struggling for my own light
-forgotten Citrus Canons-
when i apply a cigarette and
a spark
to mark the maturing morning.
at the center of its smoke finally
i find good company.
i turn the engine over;
a gnarled face growling loudly
mad and toothless under the
winter cap of a poet.
his old dentures smack together like
a clucking chicken,
gurgling gravel in a gullet that
jumps in the wind of a cool highway
with horizons for eyes
as he calms.
i am on my own,
automobiling out into space and
my car takes turns like a dreamer.
you claim clear skies carelessly and
i exchange the cost of another day
for the hope that
i might begin to spin a galaxy
with just a glimpse
of my shadow
against you.
after leaving my arms this morning and
burning the sky blue,
you render horizons merely
something to fly between
when you are here
[when you are home]
so that we might
make sense of you.
you settle orange tropicana florida like
an age-burnt photograph of a tangerine
being pressed between
two classic leather-backs
of the Western Canon;
soothing fruit juices mingling among the
heartburn of dream dust that
settles down from the peaks of the ages;
citric fiction.
you are pressed up against
my dirty windshield at dawn
before you move on.
the center console is cluttered like
sunday service church pews with
blue cigarette packs, empty, and
the black rot of bananas and
the grease of grazing fingers on the steering wheel and
the local station talk show and
i am empty at the passenger seat for
all the failed attempts at phone calls.
i think that i am lonely.
i find a full pack of cigarettes,
blue and black now as
i appear to be against
the violence of your memory and
the brightness of your inevitability.
II
i think of your frigid winter absences.
a straight shot stand of trees
whose wet whale-skin grey and green
against the snow
is frozen at attention;
naked and unfooled by
the night's elegant reflections
of you.
except one tree whose trunks
lean East defiantly,
with long-fingered silhouettes
in intimate ups and downs with the breezes,
whispering,
"gravity!"
[in orbit, i am a product of your inevitability.]
and imagine the human spirit
was a galaxy!
[but home has always been most heavy.]
in spirals and pulls like
backward smoke.
[my tired limbs move ceaselessly.]
III
i am struggling for my own light
-forgotten Citrus Canons-
when i apply a cigarette and
a spark
to mark the maturing morning.
at the center of its smoke finally
i find good company.
i turn the engine over;
a gnarled face growling loudly
mad and toothless under the
winter cap of a poet.
his old dentures smack together like
a clucking chicken,
gurgling gravel in a gullet that
jumps in the wind of a cool highway
with horizons for eyes
as he calms.
i am on my own,
automobiling out into space and
my car takes turns like a dreamer.
you claim clear skies carelessly and
i exchange the cost of another day
for the hope that
i might begin to spin a galaxy
with just a glimpse
of my shadow
against you.
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My grandmother says
Submitted by rien on Tue.02.10.09 9:39pm
"The grass is always greener on the other side. Always."
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Trucker
Submitted by rien on Tue.02.03.09 7:15am
"are we anarchists?"
she laughed a little but kindly told me no.
"what makes you say that?"
"The way we live like fluid; between cities, between states; without parents, bosses, lovers, or rules. The way we seem to ruin things. We've barely accepted ourselves as reliable, let alone any sort of authority. Maybe we're nihilists."
She looked serious now. Her spinal cord reacted immediately, straightening, and it seemed like she wasn't sitting on the couch and she wasn't in the living room. She wasn't in this house anymore. She was right up in my eyes and still kind, she said,
"We go dangerous places when we think too much; nowhere if we think too little. Of course none of us has ever believed in the government, or the church, or finances, or traditional families, or anything that has been instituted on our behalf, but we're not angry and we're not uninspired. We are not ruinous as a form. We are smart, insane, autonomous. We believe in what makes sense. We're not political peons and we're not forces of destruction, void of souls. We were meant to create. We are the creators, the builders, and the rulers. Life is just a catalyst; living is only the beginning. Tell me what inspires you?"
"I don't feel inspired."
She looked down and toward the window when the sun's padded feet found her eye and exploded into flares, jumping from the curved surface. She turned toward the window and stared. Her eyes would be raw later from this light. She said happily, with hope, and without the slightest wavering,
"Go inspire yourself."
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About Me
Real Name:
Lee
Birthday:
Mar 20 1987
Chat Name:
czeckoslovakia
Disposition:
dilated
Location:
[new york] and beyond...
Sex?:
male
Lee
Birthday:
Mar 20 1987
Chat Name:
czeckoslovakia
Disposition:
dilated
Location:
[new york] and beyond...
Sex?:
male
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